Denver – CBD: CCC – I See What You Mean

Denver – CBD: CCC – I See What You Mean

A couple of nice fast prototyping enterprise pictures I discovered:

Denver – CBD: CCC – I See What You Mean
rapid prototyping business
Image by wallyg
I See What You Mean, supersized sculpture of a blue bear by Lawrence Argent, was installed along the 14th Street Side of the Colorado Convention Center as component of Denver’s Percent for Art Plan on June 23, 2005. Originally commissioned in 2002, the 40-foot high, ten,000 pound sculpture, was constructed of molded polymer concrete and steel at a expense of 4,400.

The bear evolved from a tiny plastic children’s toy, scanned with a with a three-dimensional laser-scanning device from Cyberware Inc. The Cyberware device converted the shape into a CAD file, which Argent repositioned using an animation program from Newtek, which transformed the 3-D hape into hundreds of thousands of tiny triangles, making use of about 400,000 reference points, and producing movement by altering the triangles’ shapes. Argent decreased the file down to 4,000 or so triangles, which he then sent to a a design firm, which employed a fused deposition modeling (FDM) rapid-prototyping machine manufactured to generate a modest 3-D scale-model plastic maquette. Argent then hired architectural composite fabricator, Kreysler and Assoc., to fabricate the structure made up of thousands of faceted triangles of distinct sizes. The components have been produced in California and transported to Denver on 4 trucks. Throughout installation it suffered an abrasion on its left haunch while getting hoisted off its back by a crane. The scratch was painted over.

The Colorado Convention Center (CCC), positioned between 14th Street and Speer Boulevard, and in between Champa Street and Welton Street, was opened in 1990. In 2005, an expansion doubled the size of the facility and the center now consists of 584,000 square feet of exhibit space, one hundred,000 square feet of meeting rooms, and 85,000 square feet of ballroom space. Curtis W. Fentress, FAIA, RIBA of Fentress Architects, was the architect of each the original design as well as the expansion.

Denver – CBD: CCC – I See What You Mean
rapid prototyping business
Image by wallyg
I See What You Imply, supersized sculpture of a blue bear by Lawrence Argent, was installed along the 14th Street Side of the Colorado Convention Center as portion of Denver’s % for Art Plan on June 23, 2005. Initially commissioned in 2002, the 40-foot high, ten,000 pound sculpture, was constructed of molded polymer concrete and steel at a price of four,400.

The bear evolved from a tiny plastic children’s toy, scanned with a with a 3-dimensional laser-scanning device from Cyberware Inc. The Cyberware device converted the shape into a CAD file, which Argent repositioned utilizing an animation program from Newtek, which transformed the 3-D hape into hundreds of thousands of tiny triangles, utilizing about 400,000 reference points, and creating movement by changing the triangles’ shapes. Argent lowered the file down to 4,000 or so triangles, which he then sent to a a style firm, which employed a fused deposition modeling (FDM) rapid-prototyping machine manufactured to create a small 3-D scale-model plastic maquette. Argent then hired architectural composite fabricator, Kreysler and Assoc., to fabricate the structure made up of thousands of faceted triangles of distinct sizes. The elements had been produced in California and transported to Denver on four trucks. In the course of installation it suffered an abrasion on its left haunch while becoming hoisted off its back by a crane. The scratch was painted over.

The Colorado Convention Center (CCC), located among 14th Street and Speer Boulevard, and amongst Champa Street and Welton Street, was opened in 1990. In 2005, an expansion doubled the size of the facility and the center now consists of 584,000 square feet of exhibit space, 100,000 square feet of meeting rooms, and 85,000 square feet of ballroom space. Curtis W. Fentress, FAIA, RIBA of Fentress Architects, was the architect of each the original style as effectively as the expansion.